2020年5月20日 星期三

[觀後感]天氣之子

梅雨季開始了,在雨下個不停的日子裡,最應景的,便是新海誠的動畫作品了。

去年天氣之子上映時沒去電影院看,到最近才把它補完。
畫面背景依舊精美,對於雨、雪的描繪依舊出色,
但故事情節與主角情感的鋪陳,以至於到接近結局前設定的高潮方面,
跟前一部作品你的名字一樣,並沒有突破再之前的作品言葉之庭所立下的高牆,
甚至比不上更早前的秒速五厘米。



想了想,會有這樣的感覺,可能有幾個原因:

一、超自然
對於情感細膩的描寫是新海城作品的特色,加入超自然原素並非不可,不過加入後,確實會因需要觀賞者運用額外的想像力去理解,而降低在情感堆疊過程中的共鳴度 ;而天氣之子主角的情感太過一直線,層次感不足,更是讓這個弱點變缺點。
二、少悲
新海誠的故事的最終,一向是重逢(言葉的動畫沒有,但小說是,刪掉確實比較好),或許是因為迎合市場,所安排重逢時的場面,變得越來越偏向happy ending,少了看完秒速與言葉後的那種悲傷惆悵的餘韻。
三、心老
初見新海誠作品是在7年前,故事裡的主角15、16歲,如今過了7年,故事裡的主角依舊是15、16歲,距離主角的年紀約來越遠,而難以揣摩回憶青少年時的心緒。
四、音樂
秒速五釐米、言葉之庭、你的名字、天氣之子四部作品的音樂,
以秒速五釐米中山崎まさよし的One more time, One more chance最貼切故事,
言葉之庭中秦基博的Rain,從歌曲名稱就知道一定很合新海的味,在動畫中出現的時間點也掌握得很好,
這兩首歌的出現,都早於動畫。

從你的名字開始,主題曲改由RADWIMPS為動畫量身打造,
你的名字中的前前前世,以輕快的節奏為新海誠的作品注入新意,也算令人耳目一新,
但天氣之子中,愛能做的事還有什麼?便難讓人有深刻印象了。


五、女主
最後一個可能就是,短髮控比較喜歡言葉之庭裡,雪野的造型吧!


2020年3月12日 星期四

[Annual introspection] XXXX




第四個十年終於抵達了,
與抵達前三個十年一樣,
抵達時的光景如何,
在抵達前毫無想像,
或許真是欠缺規劃未來的能力吧!
推開世界的門,
門外的世界變化如此快速,
無常是常,
誰能在此時不惑?
至少還算是努力的過著日子,
盡量讓自己討厭自己的時候少些,
即便在不同的場合有著不同的表現,
在當下的言行舉止,都力求由衷,
至於哪個才是真正的我,
一點也不重要,
每件事情都可以有不同的面向了,
一個人再怎麼單純,
也該有幾種不同的樣貌才是,
否則,多麼無趣啊!

何況,
總要留點只有自己才知道的自己給自己。
世界本該是你誠實的模樣,
那些陰暗的、軟弱的、愚昧的、讓自己覺得罪孽深重的,
都是本該存在在這世界存在的你有的,
誠實的接受這個模樣的世界、這個模樣的我,
然後,
捧著一顆不懂計較的認真,
試著一點點、一點點的,
從那微不足道的改變中,得到些樂趣,
完成一小件、一小件小事,感到滿足,
持續不斷,如此游於世界,便應是有福之人了吧!

希望第四個十年之後的幾個十年,都還能是有福之人。


2020年2月16日 星期日

[觀後感]鋒迴路轉 Knives Out


寄生上流在2020年的奧斯卡風光獲得最佳電影、最佳導演、最佳原創劇本跟最佳國際電影四項大獎。
電影本身確實是拍得不錯,但是個人認為並沒有好到能拿到四個獎項,其中政治正確因素恐怕占了一定的份量;尤其是最佳原創劇本這個獎。
攝:Matt Petit - Handout/A.M.P.A.S. via Getty Images
2020年奧斯卡最佳原創劇本入圍的五部影片:寄生上流、鋒迴路轉、婚姻故事、從前,有個好萊塢、1917
除了婚姻故事外,另外四部片都看過,以這四部片而言:
從前,有個好萊塢對沒有經歷過那個年代的外國人而言,少了共鳴;
1917能夠入圍這個獎項令人覺得意外,因為這齣戲突出之處在於攝影與剪接,流暢緊湊的劇本是因應攝影與剪接需求的配角,而非主角。

所以,在劇情上能夠相互競爭的,剩下寄生上流與鋒迴路轉。

既然是最佳原創劇本,那麼重點便是劇本本身,而非電影的其他組成部分。
從這個角度而言,鋒迴路轉對比寄生上流,更有資格獲得這個獎項。
寄生上流的劇本雖然新穎,但到了中後段,便已經變得非常容易預測,此時的重心變成是導演說故事的方式,而非劇情本身。
作為懸疑推理片,鋒迴路轉在一開始的立足點上便比寄生上流佔有優勢,不用承擔太多傳達理念、批判社會的任務(但其實也做到了),片子好不好看,劇本裡頭埋的伏筆與轉折占了九成的因素;而它的劇本完美的達成了觀影人的期待,看的時候如同臺灣翻譯的片名一般,鋒迴路轉,非常過癮。
因此,在我心目中今年的最佳原創劇本,非鋒迴路轉莫屬。

2020年1月20日 星期一

[靈光偶現]怕胖團-魚

搖滾樂少不了對於現實無奈吶喊,
這專輯裡大多都是自嘲或不服輸的態度面對,
所以整體而言,
充滿志氣、歡樂的正能量,
唯有這首歌對於所面對的無能為力難以釋懷,
而全然示弱,
由於其他的歌都是那麼的逞強,
這首歌在專輯裡特別的突出,
唯有在此,
能清清楚楚地看到那道難以結痂的傷。

[觀後感]乒乓

劇情是如此的現實、殘酷又浪漫,
對白是如此的直白、簡潔又帥氣,
配樂是如此的適切、流暢又順耳,
畫面,作為呈現這一切的載體,
人物動作、背景線條、分鏡設定,
都是那麼的獨樹一格、與眾不同,

到底是怎麼個特別法,看OP就可以知道。

在一票描寫高中運動社團的動畫中,
這絕對是部拔尖的作品;
灌籃高手等老片不提,
看了近幾年頗受好評排球少年後,
更加確信。


2019年11月1日 星期五

[書摘][讀後感]雖然不相見


札西拉姆.多多
這個名字,是在電影非誠勿擾劇終之前,由小女孩口中讀出的這首<班扎古魯白瑪的沉默>而認識:

你見,或者不見我
我就在那裏
不悲 不喜
你念,或者不念我
情就在那裏
不來 不去
你愛,或者不愛我
愛就在那裏
不增 不減
你跟,或者不跟我
我的手就在你手裏
不舍 不棄
來我的懷裏
或者
讓我住進你的心裏
默然 相愛 
寂靜 歡喜

詩人是佛教徒,不過顯然享受著紅塵中的生活,在俗世裡修行。


這本書並非詩集,而是與那些不相見的友人、孩童們的書信集,字裡行間充滿溫暖的能量,療癒人心。



裡頭經過誠心滌漓後的文句,讀起來的那甜美的醍醐味,即使是一些再簡單不過的道理,也被賦予了力量,喚醒那些深埋在層層風霜老皮下的純真。





其中那些給自己的信,則是讓人在這世界的冷酷與殘忍面前,仍能微笑以對。





看似無用的東西,當能發覺其無用之用,往往一生受用。



2019年8月1日 星期四

[讀後感]挖開兔子洞Well in the Rabbit Hole 深入解讀愛麗絲漫遊奇境


<愛麗絲漫遊奇境>(Alice's Adventures in Wonderland)這本世界名著,是個在大學教書的數學宅寫給黑色短髮小蘿莉的...(算是什麼呢?想不出適合的名詞)透露出大量想要展現的才學與幽默,看來是盼望討得這個他關愛無比的小女孩的歡心與崇拜。
不過他畢竟是個宅宅,許多埋在故事情節裏頭的梗太深,應該不是一個年僅10歲的小女孩看得懂的,長大後的小女孩愛上的是王子,而這個宅宅在她生命中的分量顯然並不大,著書當時主要目的並沒有達成。


雖然當時主要的目的沒有達成,那些埋在故事情節裏頭的梗,卻成了各方人馬研究的素材,甚至成立許多研究學會,儼然成為一門學問,並影響許多創作,電影駭客任務就是一例。

一般而言,對於母語以外的外文著作,讀者想一窺堂奧,有兩個方法:
一、讀者們精進自己的語言能力,閱讀原文。
二、透過翻譯將原文翻譯成讀者使用的母語。
大部分的情況,都是透過第二種方法讓世界上使用其他語言的讀者認識,也因此,文學類別中,有個"翻譯文學"的類別。
一般而言,無論多麼複雜的情節、多麼抽象的概念,訓練有素的翻譯家都能適切的完成任務。
<愛麗絲漫遊奇境>的原文是以英文寫成,書中大量利用英文的語言特性,玩起雙關語、謎語、遊戲詩、數學、哲學的文字遊戲,而且這些文字遊戲,比起故事情節,在這部作品中擔當更重要,甚至可以說是絕大部分的角色,所以即便是國際上最通用的語言,要如何讓以另一個語言閱讀的讀者,也能體會到原文中的巧思與幽默,從而得到樂趣,構成了翻譯上難以克服的堅壁。

所以閱讀這部作品最好的方式,是找本有英文對照的譯本,在看到翻譯部分有奇怪的地方,便可以立即參照英文的句子。
在眾多版本中,選擇了張華先生的這本<挖開兔子洞>,首先是因為這本書有中英對照外,更重要在於,書裏頭附上大量的註解,除了解釋原文的巧妙之處外,也提出其所選擇的中譯方式的原因,處處展現出譯者對於<愛麗絲漫遊奇境>的愛。
還有令人佩服的一點是,張華先生並非以翻譯為業,其本業為工程師,此書是在工作之餘點滴累積而成的作品。
因此,即便大量的註解稍稍影響閱讀的連續性,且該等註解著重之處在於文字、邏輯遊戲以及愛麗絲身高的變化,加上個人的一些考據,完整度跟深度可能還比不上一些外國研究,卻仍是本誠意滿滿的書。

也因此才能了解故事裏頭下面這些梗,以及翻譯的難處:

Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon.
"Ahem" said the Mouse with an important air. "Are you all ready? This is the driest thing I know. Silence all round, if you please."
枯燥與乾燥,都是dry,這段還好,畢竟中文環境中,拿冷笑話消暑的這個梗已經不新了。

"What I was going to say," said the Dodo in an offend tone,"was, that the best thing to get us dry would be a Caucus-race."
caucus翻成"預備會議"或"黨團會議"哪個才適當,其實都還好,不過這顯然是大人才看得懂的梗。
倒是要怎麼翻譯才能跟後面那一段一群動物跟人繞圈圈跑步的運動連結,要傷腦筋。

"Mine is a long and a sad tale!"said the Mouse, turning to Alice, and sighing.
"It is a long tail, certainly,"said Alice, looking down with wonder at the Mouse,s tail;...
...
"You are not attending!"said the Mouse to Alice,severely. "What are you thinking of?"
"I beg your pardon,"said Alice very humbly:"you had got to the fifth bend, I think?"
"I had not!"cried the Mouse, sharply and very angrily.
"A knot!"said Alice, always ready to make herself useful,and looking anxiously about her"Oh, do let me help to undo it!"
故事跟尾巴在英文裡頭的諧音
尾巴跟尾巴詩在書裡彎曲的形狀
詩的彎曲形狀跟對話裏頭的彎(bend)
我還沒到(I had not)跟打結(A knot)的諧音,再跟前面提到很長尾巴的複合雙關
把這一段的趣味性翻出來的難度,恐怕更勝過怎麼用另一種語言讓那首尾巴詩在翻譯過後,意思不變卻仍然有押韻。

Next came an  angry voice-the Rabbit's-"Pat! Pat! Where are you?" And then a voice she had never heard before,"Sure then I'm here! Digging for apples, yer honour!"
要不是有考據過,怎知道這裡的apple其實指的是馬鈴薯(Irish Apple)?

"Who's to go down the chimney?"-Nay, I sha,n,t! You do it!-That I wo'n't, then!-Bill's got to go down-Here, Bill! The master says you've got to go down the chinmey!"
要不是註解裡面提示"Let Bill do it"是一句成語,意指"誰都不想做的事,就找個倒楣鬼來做",怎麼會知道作者在這邊開了個玩笑,蜥蜴是因為名字取不好,才被派去爬煙囪。

"Did you say 'pig', or 'fig'?'said the Cat.
句子雖短,但是要怎麼翻譯,才能讓原文裏頭只差一個子音的兩個字,在中文裡頭也有一樣效果呢?得大膽的把fig換成另一個東西了吧!

"Why is a raven like a writing-desk?"
帽匠的這個謎語,日後卡洛爾有公布答案,非常卡洛爾風格的答案:
答案是:Because it can produce a few notes, tho they are very flat; and it nevar put with the wrong end in the front!
句子裡的錯字nevar,倒過來看(put end in the front)便是烏鴉raven。

Alice sighed wearily. "I think you might do something better with the time,"she said,"then wasting it in asking riddles that have no answers."
"If you knew Time as well as I do,"said the Hatter,"you wouldn't talk about wasting it. It's him."
"I don't know what you mean,"said Alice.
"Of course you don't!"the Hatter said, tossing his head contemptuously."I dare say you never even spoke to Time!"
"Perhaps not,"Alice cautiously replied;"but I know I have to beat time when I learn music."
"Ah! That accounts for it,"said the Hatter. "He wo'n't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. ..."
...
"Is that the way you manage?"Alice asked.
The Hatter shook his head mournfully. "Not I!"he replied."We quarrelled last March..."
...
"Well, I'd hardly finished the first verse,"said the Hatter, "when the Queen jumped up and bawled out,'He's murdering the time! Off with his head!"
"How dreadfully savage!"exclaimed Alice.
"And ever since that,"the Hatter went on in a mournful tone, "he wo'n't do a thing I ask! It's always six o'clock now."
A bright idea came into Alice's head. "It's that the reason so many tea-things are put out here?"she asked.
"Yes, that's it,"said the Hatter with a sigh:"it's always tea-time,and we've no time to wash the things between whiles."
這一大段有關時間的情節,隱含著對於妥善利用時間的寓意,然後,透過把時間擬人化,用打beat time(打拍子/打時間)跟murdering time(亂了節拍/謀殺時間)玩了一手文字遊戲。
並且首度建立了皇后的暴躁形象,故事裡的女王不知道是暗喻卡洛爾的哪個長官;而按時間死板做事不懂變通的帽匠,又是指現實生活的誰?

"Once upon a time there were three little sisters,"the Dormouse began in a great hurry;"and their names were Elsie, Lacie, and Tille; and they lived at bottom of a well-"
...
"And so these three little sisters-they were learning to draw, you know-"
"What did they draw?"said Alice, quite forgetting her promise.
"Treacle,"said the Dormouse, without considering at all, this time.
...
"But they were in the well,"Alice said to the Dormouse,not choosing to notice this last remark.
"Of course they were,"said the Dormouse:"well in."
先是Alice三姊妹名字分別被以簡稱、重新排列、小名的方式納入故事,如何把做這這番用意翻出來,應該會讓譯者費了不少心思;"draw"到底該翻成"畫"還是"打"(打水、打糖漿)、"在井中"(in the well)跟"相當深"(well in)這段雙關語,相信也能輕易殺死眾多腦細胞。

遇見紅心皇后後,因為愛麗絲(Alice)是Ace,比國王(K)、皇后(Q)跟傑克(J)大,所以,遇到紅心皇后時,無論在哪個場合,愛麗絲都豪不畏懼。

"It's a mineral, I think,"said Alice.
"Of course it is,"said the Duchess, who seemed ready to agree to everything that Alice said;"there's a large mustard-mine near here. And the moral of that is-'The more there is of mine, the less there is of yours.'"
"mine"的"礦"與"我的"兩種意思,也不過是眾多雙關文字遊戲中的又一個。
公爵夫人不知道算是撲克牌裡的哪個花色跟大小,不過看著這裡無論愛麗絲說什麼都同意的情況,肯定比Ace小。
現實生活中那些對比自己階級高的人阿諛奉承,然後硬是擠出一些餿主意的場景,在此被kuso的呈現。
另外,並不是每件事情都有甚麼教訓或寓意,但總有些人為了莫名的理由,一定要講出些什麼,成年人在生活經驗裡應該會遇到,而發出會心的一笑。

再來的文字遊戲,是純粹考驗英文多重子句如何理解的句子:
"Be what you would seem to be"or, if you'd like it put more simply-"Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise."

"When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle-we used to call him Tortoise-"
"Why did you call him Tortoise, if he wasn't one?"Alice asked.
"We called him Tortoise because he taught us,"said the Mock Turtle angrily."Really you are very dull!"
原來陸龜(turtle)只要教了我們(taught us)就可以變成海龜(tortoise)啊~說著可真是順理成章啊!

"I couldn't have wanted it much,"said Alice;"living in the bottom of the sea."
"I couldn't afford to learn it,"said the Mock Turtle with a sigh ."I only took the regular course."
"What was that?"inquired Alice.
"Reeling and Writhing, of course, to the begin with,"the Mock Turtle replied;"and then the different branches of Arithmetic--Ambition,Distraction,Uglification, and Derision."
...
Alice did not feel encouraged to ask any more question about it:so she turned to the Mock Turtle, and said"What else had you to learn?"
"Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers,-"Mystery, ancient and modern, with Seaography: then Drawling-the Drawling-master was an old conger-eel, that used to come once a week: He taught us Drawling, Stretching, and  Fainting in Coils."
...
"I never went to him."the Mock Turtle said with a sigh. "He taught Laughing and Grief, they used to say."
...
"And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject.
"Ten hours the first day,"said the Mock Turtle:"nine the next, and so on."
"What a curious plan!" exclaimed Alice.
"That's the reason they're called lessons,"the Gryphon remarked:"because they lessen from day to day."
假海龜上的這一段亂七八糟的課程,玩的總算不是雙關語的遊戲,而是諧音字。
讀書、寫字 變成 旋轉、扭動
加、減、乘、除 變成 野心、分心、醜法、嘲笑
歷史、地理 變成 秘史、海理
素描、油畫 變成 伸展、蜷曲昏倒
拉丁文、希臘文 變成 大笑、悲慟
換一個語言,同樣也要玩諧音字遊戲的話,有比較容易翻譯嗎?看來也沒有。

這一段最後面的一個謎語,鷹頭獅就比帽匠上道,跟愛麗絲說了答案。
接著,就像上癮似的,鷹頭獅在跳龍蝦方塊舞之餘,繼續提出當冷的冷笑話:
"Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before."
"I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?"
"I never thought about it," said Alice."Why?"
"It does the boots and shoes," the Gryphon replied very solemnly.
Alice was thoroughly puzzled."Does the boots and shoes!" she repeated in a wondering tone.
"Why, what are your shoes done with?" said the Gryphon. "I mean, what makes them shiny?"
Alice looked down at them, and considered a little before she gave her answer. "They are done with blacking, I believe."
"Boots and shoes under the sea," the Gryphon went on in a deep voice,"are done with a whiting. Now you know."
"And what are they made of?"Alice asked in a tone of great curiosity.
"Soles and eels, of course," the Gryphon replied, rather impatiently:"any shrimp could have told you that."
就像有些人會用諧音詞來撩妹一樣,卡洛爾似乎也想用這招,但是選的題材顯然不太好,拿擦鞋(blacking,同時也有塗黑的意思)跟鱈魚(whiting,同時也有刷白的意思)來逗女孩子,一般來說應該得不到還能用比目魚(sole,同時也有鞋底的意思)跟鰻魚(eel,跟鞋跟heel發音一樣)來組成冷笑話二連發的機會。這情節應該只會出現在書裡。

假海龜不惶多讓,在此也參了一腳:
"If I'd been the whiting,"said Alice, whose thought were still running on the song,"I'd have said to the porpoise 'Keep back, please! We don't want you with us!"
"They were obliged to have him with them," the Mock Turtle said. "No wise fish would go anywhere without a porpoise."
Wouldn't it, really?" said Alice, in a tone of great suprise.
"Of course not," said the Mock Turtle. "Why, if a fish come to me, and told me he was going a journey, I should say 'With what porpoise?' "
如此拙劣的手法,連故事裏頭的愛麗絲都聽不下去,直接破梗:
"Don't you mean 'purpose'?" said Alice.
海豚(porpoise)跟理由(purpose)的諧音笑話,失敗。
卡洛爾顯然沒完,假海龜跟鷹頭獅的戲份結束以後,在法庭上,也讓國王各玩了諧音跟歧義的文字遊戲:
"I'm a poor man, your Majesty,"the Hatter began, in a trembling voice,"-and I hadn't begun my tea-not above a week or so-and what with the bread-and-butter getting so thin-and the twinkling of the tea-"
"The twinkling of the what?"said the King.
"It began with the tea,"the Hatter replied.
"Of course twinkling begins with a T!"said the King sharply. "Do you take me for a dunce? Go on!"
先是tea跟T的諧音;
"If that's all you know about it, you may stand down,"continued the King.
"I ca'n't go no lower," said the Hatter:"I'm on the floor, as it is."
"Then you may sit down,"the King replied.
再來是stand down(退下)跟sit down(坐下)的歧義;

"Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than that. Then again-'before she had this fit-'you never had fits, my dear, I think?"he said to the Queen.
"Never!"said the Queen, furiously, throwing an inkstand at the Lizard as she spoke.
...
"Then the word don't fit you,"said the King, looking round the court with a smile. There was a dead slience.
"It's a pun!" the King added in an angry tone, and everybody laughed, ...
好啦好啦,had this fit的fit是生氣,fit you的fit是適合,
但顯然19世紀到現在都一樣,長官的笑話都太高妙,沒人聽得懂,得要國王自己破梗說是雙關語笑話,大家才勉為其難捧場的笑了。

除此之外,書中也整理出來故事情節裏頭安插的邏輯謬誤情節,包括:
思想三律:排中律、矛盾律跟同一律的謬誤、三段論中的中項不周的謬誤
輕率廣推、濫訴權威、複合問題、相似非難、訴諸憐憫、循環論證的謬誤

至於英文詩如何翻成中文詩,仍能維持原意而不失韻律,譯者也花了不少功夫,但實在沒耐心把英文跟中文各朗讀一次,所以閱讀時這部分大都略過,有點對不住他的心思,至於數學那些的...算了吧!

連成年人都要研究後才能得知有哪些梗,拿來討小女孩歡喜當然不容易成功,
不過這個後來終身未娶的數理宅,的確貢獻了一個傑出的故事。